Rebecca Taylor Fall 2014: Great looks for Zosia Mamet and Rihanna

Layering galore and feminine dresses to die for! Check out Rebecca’s latest collection here.
Rebecca Taylor‘s Fall 2014 debuted on Feb. 8 during New York Fashion Week. While staying true to the designer’s affinity for feminine silhouettes, she veered away from her typical palette of bright colors and girly dresses. Taylor’s designs were primarily muted, pastel colors, with a mix of black and navy, which truly worked flawlessly in her creations. We’re seeing blush pinks and greys everywhere this season so we weren’t surprised that they popped up, yet again. Between the plush textiles, great textures and Doc Martin-esque shoes, she really made cool, wearable clothing.


Rebecca Taylor Fall 2014 Collection:
The collection might look simplistic from afar, but up close, the intricate details were fully visible. Mixing, matching and layers seemed to the be common theme for Taylor’s newest collection, while incorporating crackled leather, luscious knits, and chic trousers on the most recent runway. Layering and blending textures is yet another popular trend this season and Rebecca totally nailed it. Combined, all of the detailing made a lovely, refined statement. The oversized coats were also popular.

Not only were the garments drool-worthy, the hair and makeup totally complimented the collection.. Hairstylist Rolando Beauchamp for Oribe styled the models with wind-blown straight hair, while Mac makeup artist, Sil Bruinshma, created a natural, dewey look with red lips as the focal point.


Celebs Will Love The Latest From Rebecca Taylor:
Zosia Mamet sat front row for the Fall 2014 fashion show at Center 548, and her style completely mirrored the looks the models were rocking. Similar to Zosia’s get-up, the designer craftedchic separates including boxy cocoon coats, an asymmetrical skirt, and mesh tops — mainly all of the looks would look phenomenal on the Girls star! Meanwhile, beloved edgier songstress Rihanna would look killer in Taylor’s menswear-inspired creations.

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Berlinale 2014: Grand Budapest Hotel is a Deeply Thoughtful Caper

There's really nothing like a Wes Anderson film. Nothing can compare, from the way he shoots and lights his scenes, to the decadent sets and locations he builds/chooses, to the actors he casts and performances they give. His latest film, The Grand Budapest Hotel, which just premiered at the 2014 Berlinale Film Festival, is strangely not at all what one might be expecting from the trailer, but is nonetheless another good Wes Anderson movie. It has all of his trademarks, but it also has a distinct depth to its complex story, with many layers, that makes it more thoughtful than his most recent work. But above all, it's mostly a fun caper.
Within minutes of starting, The Grand Budapest Hotel storyline jumps back in time multiple times, moving from 1985 to the 1960s to 1933, where it settles on a story involving the concierge M. Gustave, played by Ralph Fiennes, and his lobby boy Zero, played by newcomer Tony Revolori. The reason it jumps back is to explain, almost as if looking back at the obituary of the hotel and its life, one of the prominent stories in the hotel's history intimately involving its staff. From there we follow a complex plot with a diverse cast of characters, from Madame D. (Tilda Swinton) and her nuts family, to the lawyer Kovacs (Jeff Goldblum), to Inspector Henckels (Edward Norton), to the lovely baker Agatha (Saoirse Ronan), and many others.
Peeling back the layers of this film is tough to do on a first viewing. There's so much to follow, so much to get caught up in, and so much to enjoy following all of these people on a rather dark caper, that Anderson's bigger ideas might just fly by. It took me a second viewing to start to understand that this is a very personal, very intimate film from Wes Anderson, perhaps even going so far as to put some of himself into Fiennes' character. It's perhaps a grand metaphor for the fimmaking process, or at least a look at how time can affect and change the success and failure of one specific hotel. It really is a look back at the moments that make a person, or a building, and what defines it's identity and how little disruptions can cause such big problems.

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